Barzun’s Contributions to The American Scholar — with Additions
Compiled by Mark Halpern
Revised April 27, 2006, to include three additional items from John E. Adams
Revised November 9, 2006, with additions & corrections from Jason Rawnsley
(starred items signed “Roger du Béarn”)
| Date of Issue | Title or Subject |
| Spring 1940 | To the Rescue of Romanticism |
| Summer 1940 | And Jacques Barzun Retorts |
| Spring 1945 | Machiavelli Dead and Gone |
| Summer 1946 | Of Making Books |
| Autumn 1946 | Ça existe: A Note on the New Ism |
| Summer 1948 | Radio in America |
| Summer 1951 | The Retort Circumstantial |
| " " | An American Encyclopedia (review) |
| " " | A Loyalty Oath for Scholars (signed “Hippocrates Jr.”) |
| Summer 1952 | A Writer Replies |
| Winter 1954-5 | The Scholar’s Scratchpad |
| Summer 1955 | page-long letter (pages 283–4) |
| Autumn 1956 | The New Man in the Arts |
| Summer 1957 | Fowler’s Generation |
| Winter 1957-8 | A Chance to Tinker to Evans |
| " " | Brief Comments (review) |
| Autumn 1958 | Suspense Suspended |
| Spring 1959 | A Lincoln Anthology in Brief |
| Spring 1960 | TV in the World of Letters (signed “Anon”) |
| Autumn 1960 | Brief Comments (review) |
| Spring 1962 | In Favor of Capital Punishment |
| Summer 1962 | Speaking of Means and Ends |
| Autumn 1962 | A Briefbag of Felonies (essay-review) |
| Spring 1963 | What is a Dictionary? (The Scholar Cornered) |
| Spring 1964 | College to University — And After |
| Spring 1965 | Meditations on the Literature of Spying |
| Autumn 1965* | Art and Letters: In the Hand or in the Bush? |
| Autumn 1966* | Art and Letters: The Feast of Cybernesia |
| Summer 1967 | Controversy: About Cybernesia |
| " " * | Art and Letters: Enigma Variations |
| " " | Editorial on Irita Van Doren |
| Spring 1968 | Arts and Letters: Scholarship |
| Autumn 1968 | Five Thousand Orange Pips, or The Seeds of Pedantry (essay-review) |
| Winter 1969-70 | The Book, the Bibliographer and the Absence of Mind |
| Summer 1970 | The Horizontal Life (Controversy) |
| Autumn 1970 | An Uncommon Carrier of Truth (Joseph Wood Krutch) |
| Spring 1974 | Tribute to Hiram Haydn |
| Spring 1981 | Sherlock Holmes and Sociology |
| Autumn 1981 | Le Faux Chic (On Franglais) |
| Winter 1982-3 | William James, Author |
| Spring 1984 | The Aesthetics of the Criminous |
| Autumn 1984 | The Colossus Laid Out |
| Summer 1985 | Behind the Blue Pencil: Censorship or Creeping Creativity? |
| Winter 1985–86 | Reply to Julia Glass’ letter re: Behind the Blue Pencil |
| Autumn 1986 | Look It Up! Check It Out! |
| Spring 1987 | Thoreau the Thorough Impressionist |
| Summer 1989 | The Paradoxes of Creativity |
| Autumn 1990 | The Cradle of Modernism |
| Summer 1992* | Clerihews for the Clerisy. Or: A Quick Fix for Cultural Illiteracy |
| Winter 1993 | An Historian Who Writes History |
| Autumn 1993* | Clerihews for the Clerisy II |
| Summer 1994 | Letter on “romanticism” as used by Paul McHugh in the previous issue |
| Autumn 1994 | The Press and the Prose |
| Summer 1995 | The Press and the Prose: An Exchange (w. Benjamin W. Fortson IV) |
| Spring 1996 | Is Music Unspeakable? |
| Summer 1996* | Clerihews for the Clerisy III |
| Winter 2000 | The Artist as Prophet and Jester |
| Summer 2001 | Three Men and a Book |
| Autumn 2001 | reprint (p. 14) of paragraph from Spring ’65 piece on spy literature |
| Summer 2006 | brief letter on English usage and needless neologisms |
| Item Count = | 59 |

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